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[5e IC] Circles of Power [2076 Game Thread]

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Jack_Spade

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« Reply #780 on: <07-30-15/0558:16> »
To Isaint, Goodnight sends a private message. <<Look. This is getting us nowhere. You think I'm a flighty, hypocritical girl and I think you're a bloodthirsty asshole. That's not likely to change anytime soon. After this, we can have it out. Frankly, I'd like to beat the tar out of you, and I suspect that you want to do the same to me. You're welcome to try if you think you're hard enough. But in the meantime, here's a little food for thought.

1. The only weapon I've seen you use is an armor-piercing, high-caliber weapon that can discorporate a spirit in a single burst. That is, by definition, lethal. So don't get on your high horse about an arsenal I haven't seen.

2. I haven't apologized for a goddamn thing, and I'm not going to. I don't even know where the hell that part is coming from. Its not violence I condemn, its bigoted, nonsensical violence born out of ignorance or fear. I never claimed to be a peace-loving hippy. But I assess and respond to threats and circumstances on an as-needed basis. Sometimes, yes, killing is what you need. Sometimes torture. But not always, and needlessly causing pain when there is no reason to cuts against every grain I have. I'm a dryad. Cruelty, pain, and negative influences physically affect me.

3. My notions of you are entirely based on what you have said, and a great deal of hard-won experience with violent, hate-filled legbreakers. If you don't like being ascribed cultural norms, then maybe don't play into them quite so damned much.

4. You don't know a thing about me. While we're leveling accusations of hypocrisy, I'd like to point out that you have no idea where my notions and thoughts come from. You're being just as judgmental and hypocritical as I, and for the same reasons.

4. Talk down to me like I'm just a pretty piece of ass again, and I will leave you down here. Yes, I'm pretty. Yes, I'm emotional. Yes, I'm a grrrrl. I'm also one of the most puissant mages down here, a 'runner in my own right, and perfectly capable of holding my own in a fight. If you don't believe me, start something and I promise I'll finish it. Just so we're absolutely clear.>>


Isaint almost had replied immediately, but he stopped himself. It was a chance to explain his point of view much more clearly, maybe even define some expressions.
First he answered the Frenchman:
"That you did. It was a pretty intense fight with four spirits sent after the good Doctor. My agent might have a recording from my smartgun if you are interested."

While the others continued their bickering, Isaint composed a text for Goodnight:

[spoiler=wall of text]<<First of all, no. I have no desire to do you harm. I don't lust for violence or blood. I am a warrior, not a psychopath.

1. You only saw me fight against a bunch of powerful manifested spirits. They can't be killed on our plane, so no - it was still less than lethal. I always try to use an appropriate response. Someone shooting with SnS or gel at me can expect me to retaliate in kind. Even if they use worse but aren't armored enough to withstand those less lethal weapons I will try to preserve their lives. Nevertheless I don't fuck around: I deal with threats as fast as possible. But I don't attack to kill from ambush - especially not against unarmed opponents.

2. You apologized your learning a torture spell, you apologized the behavior of vampires hunting people they deem unworthy to live.
You say they hunt criminals that deserve to die, but you don't stop to ask who made them judge, jury and executioner - and if they have that right, why should not another have the same right to judge them for those murders. I am not saying that there is no moral behavior in those vampires actions - that depends on the specific cases. But I question the purity of their motives. They want to satiate their hunger first and foremost - who can say if they always acted with due diligence, always attacked only those who really deserved to die? If even one of their victims was innocent they are murderers - plain and simple. And if one of the victim's friends or family ask me to stop such an individual to protect them and their community... Well, how can you justify that the live of this vampire - that acted like a monster by attacking innocents - should be preserved?
This is a specific case, but I stand by my definition of monster: Be it meta human, beast or infected: If you cast aside the basic tenets of society to sate your base desires you no longer are part of society and you don't enjoy its protection. You are "vogelfrei". You can return to the benefits of society - but only if you also atone and share the burdens. Such is the price.
Last but not least, you apologized the behavior of those spirits. You say they were forced to attack us. That may be. But they had every freedom in how they fulfilled that mission. They could have applied less than lethal methods, they could have asked for surrender, they could have stayed in the astral or they could have requested honorable combat with champions on either side.
My point is: They had a choice and they chose to act with no regard for human life or our physical integrity. There is always a choice. And I suspect this fire spirit didn't become that strong by being a nice and loving personality. Much more likely, he reached this form by honing himself in the art of violence.

3. Again, you did ignore most of the qualifying clauses that I added. Also you seem to conflate hurt and harm. Hurting is unavoidable in our line of work: We break into secure facilities, we manipulate, sometimes we steal and sometimes we have to use force. All those are forms of hurt, be it reputation, ego or bruises to the body.
What I try to avoid is permanent harm: I don't shoot to cripple, I avoid drawing blood if I can. Again this is a qualifier: IF I CAN. There are times and situations, where I don't have the luxury to be lenient. An opponent in a mil spec armor can be brought down quickly only through a high grade of lethal force. I don't enjoy it, but if it is necessary to preserve those under my protection I will not hesitate.
Your comments on APDS were hilarious to me, because it sounded like I had any other choice while battling those spirits, when even a direct hit to this fire spirit merely slowed him down.
That brings me to the small matter of torture: This spirit was not tortured. He was free to move away. He was hurt, maybe even harmed temporarily. But at no time we deliberately kept him in a position where we forced him to endure pain.
I don't endorse torture - on the contrary. There might be times where it's application is excusable - e.g if it's the only available option to save the life of another person. And even than it's reprehensible.

4. Hypocrisy is defined as projecting and preaching a different conduct than you yourself attain to. I most certainly don't pretend to be anything else than I am and neither am I asking others to do as I say - tactical situations like this run notwithstanding (you know what I mean).
So again, no: I am no hypocrite.
And yes, I only know what you yourself have told me about you and how you acted. Based on this I formed my opinion as I have explained above. As I said before: We judge ourselves by our intentions but others by their deeds. I'm no more free of this bias than you.

5. Should I have called you ugly instead? That would not have been true. You are beautiful and you work hard to present a pretty exterior - don't act as if that wasn't part of your person as a runner. And I don't talk down to you more than you talk down to me. I am not free emotions as much as you. So don't lay every expression on the gold scales. Especially not if you yourself use language to diminish my standing among my peers.
Last but not least: I did not imply that you could not hold your own in a fight. Although I do admit that I am uncomfortable to see young women in the line of fire. But that has nothing to do with their capabilities, but everything with how my instincts to protect are wired.>>
[/spoiler]
« Last Edit: <07-30-15/0736:24> by Jack_Spade »
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Revenant Kynos Isaint Rex

Aria

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« Reply #781 on: <07-30-15/0845:38> »
[Thursday June 18th, 2076, ~05:58, The Catacombs, London Below, London]

The tensions continue to rise as the group descend further under London.  Perhaps spurred on by the bickering of the runners the family begin to pick up on the vibes in this place and it isn’t long before the children, despite warnings from the Doc, begin to squabble – and words like fragging slut, directed at Natasha, are some of the nicer ones being bandied about…

Suddenly the group pause, a trick of the acoustics perhaps, but music fills the tunnels and they realise that it has been there for a few moments almost imperceptibly but is now suddenly louder.  There are two separate tunes competing, one happy lilting trill and a more mournful counterpointe that weaves in and out of the main tune…

As the group cautiously emerge onto a wider passage Tobbis’ eSense lights up with the presence of wifi devices approaching and a quick scan reveals ‘links, smartguns and more, all running quite openly, probably in the certain knowledge that there is nothing else down here with the ability to interfere with them…and then everyone feels it… a sudden wash of calm and peace emanating from the source of the music, an invisible lightening of the mood and atmosphere.  For those capable of deeper awareness the astral is both being temporarily cleansed and some form of emotional manipulation spell is weaving its fronds about the group.

***

Around the corner of the dark basalt tunnel a light blooms, revealing in stark shadows the yawning openings that house the dead…or their crumbling dusty remains at least…it dances around, flashing as whatever source bounces about, and then a lithe figure comes into view…it vaults towards the ceiling and in a gravity defying leap seems almost to dance across the ceiling before coming down in a crouch facing Isaint.  It is clad in a skin tight body glove with streamers and other fripperies that settle to stillness slightly after the body becomes motionless.  A weird half mask reminiscent of Venetian balls hides its face and it bears a fragging glaive, hilt extended towards the group…

***

Behind the first dancer three more figures pirouette to stillness, and their apparent leader glides behind them, feet some ten centimetres off the ground.  They are all similarly clad in bright skin suits, painted face masks and bear an assortment of arms.  The music is coming from one figure that caresses a high end cyberdeck to its chest, speakers projecting the taunting tune towards the group…

***

The leader speaks, and you can see as she doffs the hood of her cloak that she has some kind of strange helmet that bears three faces, which might account for the three separate voices that the group can distinguish

“Greetings travellers.  You are bound for the market, we will accompany you.  Allow us to introduce ourselves… We are Hecate, the watcher, this one with the glaive is Wit, and behind me is Kiss, our warriors, Satire is our mime and Fortune, making this lovely music, is our muse…”

***
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Kinkerbell

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« Reply #782 on: <07-30-15/0903:35> »
Goodnight walks with her shoulders hunched against the backlash of her answer to Melisa's question. She knows several members of the team are awakened on some level, and it would be folly to think that none of them had heard her response and immediately connected the dots. She is not blind to the irony of being outed by a spirit, especially one that was only trying to preserve her secret and had inadvertently chosen the only medium in which she was not a manifestly skilled liar. She fears what Isaint will say, or what he'll do once he finds out, but she can't exactly just shout out her sister's secret.

Goodnight glances to her right, at Natasha. The teenager is walking with a bounce and swagger to her step, and it brings a smile to Goodnight's face despite her apprehension. She knows that look, that joy of acceptance. Goodnight and Solo had fostered it, giving her the clothes and the weapons and the magical enhancements of a shadowrunner, and treated her like an adult this whole time. Goodnight is sure that Al or Isaint would say they've made her a target, and dangerously overconfident, but she was already a target. As for overconfidence, well, every teenager has that, and while it might make Natasha prone to larger risks, freezing up in fear would kill her a lot faster. Better to take a stupid risk that might pay off than stand still and become a statistic written in blood.

When Isaint's message shows up, Goodnight scans it at the speed of thought. her contacts are currently gracing Natasha's eyes, but her alice band gives her DNI, so she can read the message anyway. She cocks her head, surprised at the mild tone and levelheadedness of it. She opens a window in her head to reply, but stops. Now isn't the time for another debate, and even though it might be a civilized one, unless she explains a few things to Isaint, it would just be another argument.

For a long moment, Goodnight walks in silence, contemplating. Then, finally, she shrugs. She likes Solo, and Nitro, and the dog-thing, and Melisa. She could be happy running with this crew, if they let her stay. But to do that, she had to build bridges, not burn them.

Goodnight begins composing another, longer message. A transition to complete rationality would be as suspicious as it is unbelievable, so she makes sure to lace her message with the proper amount of vitriolic invective, while still opening herself up to Isaint. Its a risk, sure, but on a level that Goodnight doesn't like admitting exists, she wants to tell her story, even in a brief form and to a person who may hate her for it. No one can exist completely outside normal human contact, and down here her closest friends are a mutant stripper, a free spirit shopkeeper, and a banshee. And her doctor is a ghoul.

<<Hey, bullet points! We're making progress, he can be taught! I want to debate you, but that's proving futile. If you want to continue the argument we're having, we can. It'll pass the time. But first, I want to tell you a story. Rough waters ahead, so bear with me. What I’m telling you is very private, but I’m telling you this because maybe, just maybe, it will enlighten you somewhat and save me some violence down the road. Even a superior, arrogant jackass gets three chances from me. What you do with this one is up to you. >>

Goodnight stops a moment to consider where to begin, then shrugs and just dives right in.

[spoiler=Goodnight's rather depressing and fairly dark story]<<I was born right here in London in 2053, in the Lambeth Containment Zone. By then, the LCZ was already hopeless, heavily contaminated, filled with genefreaks and experiments gone wrong, and magically polluted. I was born to a chiphead father and a junkie mother with a raging cram habit and poor impulse control. You can probably guess what my home life was like.

I got by, even as a kid. We were dirt poor and it wasn’t a happy home, but I survived.

My sister, Victoria, was born in 2058. She was homo sapiens nobilis, a normal elf. I was a dryad, and in the 2050’s, we were rarer than roc’s eggs, and there were all sorts of rumors about being able to bewitch people. As it turns out, those are kind of true, but that’s neither here nor there. She was the golden child, I was the freak, but I didn’t resent her even as a kid. Probably the last nice thing I would do for her until she was Natasha's age.

My old man bought it when I was fourteen. Bad BTL that fried his brain, turned him into a drooling vegetable. I found his meat when I came home from buying soymilk. My mother cursed him for an hour for leaving her stuck with us. Then she sold him- still breathing- to a ghoul den for cram and some petty cash. Then she got high as a kite and beat Vicki and me for the rest of the night. Like I said, life wasn’t pretty. I wasn’t in school by then, and wouldn’t become educated until much later. At the time, this was all I knew.

It would be another year before the night that three men burst into my bedroom and carried me out in zipcuffs and a black bag. Never said a word to me. I know now that they were Red Vory, and that my mother had sold me to them for more drugs and money. She was already in pretty bad health and a burnout addict, and I suspect they offered her a lot of money. It was a chance to get me off her hands, and she took it. Dryads were worth a lot back then. Still are, some places.
Two weeks and interminable abuse later, I was being unloaded from a shipping container into a Tarislar whorehouse run by the White Vory. We’ll skip the next four years, I’m sure you can figure it out. I’m still addicted to Eros- a little- and I’ve been clean off of Bliss for three years. I have nightmares, too, and flashbacks. At some point in there, I awakened, but I was scared of my talent. I was scared they’d hurt me even worse if they knew I had it, so I avoided it. I was genuinely afraid I was going to die in that place, and I still didn’t have the guts to try and get out. Compliance was all I knew.

I got out in 2072. As you may remember, not the best time to be running around Seattle all alone. Thankfully, I was lucky enough to not be alone. I was rescued from that hellhole by the Brat’Mael the Black Sun. They might be murderers, racists, and violent assholes, but to a teenage elf stuck in a Vory whorehouse, they’re the closest things to angels I could ask for. At the time I was too hurt and too blissed out to even stand, and the Black Sun were killing the Russians left and right, exacting retribution for being human and having the stones to imprison and pimp out elf girls in elf territory. A man with gunmetal eyes and a glossy black cyberarm carried me out all by himself. I passed out, but I remember the building burning down.
The man, who told me to call him Corby, took a shine to me. I don’t know why, and I don’t really care. He knew I was awakened before I really understood it myself, and he proceeded to spend the next three years “honing” me. He got me off the pills, mostly. He taught me, passed on experience and knowledge and training I could never have afforded on my own, and I did what I could in return. I was a good joygirl, I knew all the tricks for keeping clients happy so they wouldn’t hurt me, but he didn’t want a pet slut, he wanted something else. I think that I was the personification of that old saw about how, past a certain point, teaching is the only way to learn. So he taught.

And I learned. Magic, languages, martial arts, swordplay, wordplay, guns, chess, magical theory, lore, history…I got an accelerated education that is as good as any you would find in an ivy-league university. He was always teaching, even when we were doing other things, and when Corby wasn’t around, someone else would pick it up, or there would be a stack of tutorsofts next to the bed when I got back to the apartment I shared with Angel.

Corby was as vile and black as they come, though. My magic is dark stuff, rooted in his belief in the Dark Trinity, Badb, Macha, and Morrigan. The spells I know kill or maim, or make it easier for me to do so, or inflict terrible pain. It was what he knew, and by extension it is what I know. He remade me into his image, a darkly elegant weapon that would look pretty in the light but kill you just as dead in the dark.

And I was excellent at it. By the end of my tenure with Corby, I was less a favored pet or a foundling apprentice and more a lieutenant. I fought and bled and killed and fucked for him and his goals. I racked up a body count you couldn’t total up on all your extremities together, and I hurt a lot more. I took a street name- Macha, after the goddess- and for months I let him use me for his own ends.

I loved it.

Then, one day, Corby was gone. Just gone, without a single word of goodbye. Just a case containing a mageblade, a certified credstick with ten kay on it, and a one way ticket to London. Without Corby, I was an outsider again, tainted by my association with the one elf the Laesa tolerated but didn’t patch in, so I took the money and the weapon and I left, coming home. I was proud of myself, I had power and intelligence and beauty and money. I wanted to show off, I wanted to be the white knight on the rearing charger that would carry my sister away from the LCZ and into a better life.

My old home was still smoking when I arrived.

The neighborhood told the story in bits and pieces, greased by money, a few favors, and a couple of well-placed threats. The Vory had hit, taken the girl- my sister- and left the mother to die in the fire. To this day I don’t know why they waited for years to exact vengeance on my family for the attack, or why they leveled it at me at all. Maybe my association with the Brat’mael had made me guilty in their eyes, and they only struck once I no longer had their support, but the Vory soldier I “talked to” did confirm it was a mission of revenge, rather than being motivated purely by profit.

I began searching the next day. I got a shitty little studio in Soho and started looking for Vicki. The nuyen Corby had left for me disappeared in record time as I chased down leads and searched for answers. I must have hit every bar, whorehouse, bunraku parlor, and smuggler in London. I was penniless when I finally got a lead, and my search had slowed as I fought to support myself. Just as in Seattle, I tortured and killed and whored myself out and committed crimes great and small all across the city, searching for information and the means with which to use it when I found it, and while it was hardly pleasant, find it I did, after more than half a year of searching.

When I finally got to where I’d heard Victoria might be, all I found were bodies, torn apart by main force, clustered in a bedroom. My sister was there, chained to an empty bedframe in an apartment in Spitalfields, a plaything for the idle rich. She was pale and cold, and had bite marks on her inner thigh, her hip, and her neck.

I’m sure you’ve guessed before now how this story goes. I’m also sure you would have killed her in my place. But I couldn’t. Call me weak if you must.
I had no money, only my skills at magic, violence, and deception, and now a temporarily dead girl who was going to wake up scared, hurt, and thirsty.

I’m sure if you look around, you can figure out why I went Below. I’d heard stories, read articles. I was fairly certain I could hack it down here. And when your little sister has become a vampire because you weren’t there to protect her, you do anything you can for her. So I came down here, to the lightless places. I took out a huge loan with the Iron Tolltakers, enough to pay for a new life for the two of us. God help me if I default on it, but the risk was worth the reward.
Yes, my sister is a Banshee. She has been for almost a year now. Yes, she drinks blood and burns if exposed to UV-A. Yes, she’s a killing machine, an awakened predator remade on a cellular level to be able to, naked and empty-handed, match you or I on our best day with all of our tricks and enhancements. You know what else she is? She’s a dancer. She wants to go to Wellesley for an M.M from their awakened artist program. She worries about boys and girls, she likes old movies, and she even condescends to play chess with me sometimes.

She’s  only ever fed from one person; me, before you ask, every two weeks. Its twisted, I know. Believe me, I know, but she needs blood and I have it to give. The things I do to make sure that I can survive her predations are frequently awful, but that is my cross to bear, not hers, and I'll never tell her what I do for her, and neither will anyone else if they know what's good for them. She has never been anything but a cheerful, pretty, pleasant young woman, trying to have as normal a life as she can. But if she went above and word got around what she was, she’d be dead inside of a week. You’ll have to excuse me if I have a bit of a fucking complex about prejudice and HMHVV.

So there you have it, the whole sad story. I never claimed not to be a monster, Isaint. I am what experience has made me, as is my sister. Nothing more, nothing less. I am a killer, a torturer, a career criminal. I care about spirits and broken girls because I have learned firsthand about their pain. I am not like you. I don’t fight to win. I fight to kill, to draw blood, to feel the rush and thrill of combat. I am so emotional and flighty and girlish because the other version of me, the one hidden behind frivolity and sex and casual talk of relationships and debates on the nature of spirits, is Macha, and she is orders of magnitude more dangerous and repulsive. I want to be good for my sister, and that fact is all that keeps large portions of my former life locked away.

And just to add the necessary boilerplate, if you so much as harm one hair on her head or cause her to be harmed because of her condition, I will move heaven and earth to kill you. Don’t feel special, this applies to everyone. But I feel that with you must explicitly spell out that if she is hurt and I find you are connected to it, there won’t be enough left of you to fill a soykaf cup. Are we reading from the same page, omae?>>
[/spoiler]

Her story told, Goodnight continues walking, looking straight ahead. Because of this, she is not taken completely by surprise when the strange masked acrobats come calling, and though her posture changes and she is suddenly hyperalert, she manages to refrain from immediate violence. She examines them, briefly, as the leader speaks, searching their masks and clothes and gear and auras for anything that will jog her memory.

Almost on autopilot, Goodnight's mouth opens and she says in flawless Sperethiel, "We are pleased to meet you, oh Troupe. We are humbled by your presence and your lovely performance, both in music and physicality. We are Goodnight," she gestures at herself, using the plural because she has a feeling that these types will see her spirits and understand before saying, "However, we are not empowered to give away the names of our companions. The music of their persons is for them to play and them alone." One hand rises up of its own accord to rest on Natasha's shoulder, part reassurance, part protection, and ready to fling her to the ground should the need arise.
« Last Edit: <07-30-15/0923:03> by Kinkerbell »

adamu

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« Reply #783 on: <07-30-15/1241:33> »
Al had been around the world and seen a lot of strange things, but then he started taking these sorts of gigs and his life had begun a rapid downward spiral into whole new levels of crazy. But it had been maybe a year now since he'd started dabbling in this sort of work, and he'd thought he might finally be getting his head around the weirdness level.

And then a troupe of armed mimes came skipping out from among the crypts and he was back to square one.

He didn't know if they were friend or foe, but he figured their meeting down here was no coincidence. He didn't reckon these sorts made cavorting in the catacombs part of their daily routine. And he was sure - in his bones - that no one dressed up like that unless they expected an audience. No way they just hung around their kitchens eating beans on toast done up like that. No, they'd come here dressed to impress.

And if their corporate hunters had needed to find a pack of proxies to continue the chase into this saints-forsaken place, these wackos would fit the bill perfectly.

He had just put himself between them and Mrs. Pelletiere and was starting to plan his best move in response to various things these freaks might try, when his mind sort of went blank. How could he think about hurting them when they were so obviously just a happy-go-lucky band of merry free-souls, out for a charnel house promenade?

But that felt wrong too. He shook his head, trying to get it straight...
« Last Edit: <07-30-15/1243:28> by adamu »

gilga

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« Reply #784 on: <07-30-15/1458:03> »
Solo approaches the new comers, with a dash of style. He is almost dancing - clearly not in any known battle stance.  He connects to his inner poet,  Poetry .  Poetry was never an elite runner like /\/\491( or Nonsense. However, he had is charm and was useful when the latter two were too hot to run. Thous that worked with Poetry report that the guy is fearless, while only a mediocre poet he can approach a dragon and sing - and often people that are not initially hostile find that it is difficult to remain hostile to Poetry. Somehow - it works for him or so he likes to believe.


"Greeting powerful strangers with a beautiful muse,
today you are lucky as we are in a good mood,
our spirits are up and the matrix we are blowing. 
noise compensation gets our drones going.
 
We gathered here,
men of talent and skill,
muscle and zeal,
For a goal that is trivial
and yet not unachievable
 
To tell a story with
hope and despair,
 a love affair,
of passion and pain,
loss and gain
At the end we sing,
our purses are full of jing.
To the shadows we go,
hidden from sight
and forgotten from heart
until Mr. Johnson is in need of the art."


He bows,
and introduces himself. We go by more than one name, but currently we are Solo and M,
or SaM .


If you liked our poem - please leave us to roam.
Do not delay  - our trip to Widows bay.
We gave you some fun and mean you no harm  so please cancel your wonderful charm.
People always resent a spell that their thoughts intercept.




Some rolls -
resist mental manipulation: 16d6t5 2
no good altough to Solo's defense hostility is a last resort.
He helps Goodnight get with good relations with the strangers with his own ettiqute skills.
Ettiquete: 14d6t5 4
He gives her 4 additional dice
Ettiquete bonus dice: 4d6t5 2
and two additional successes (So Goodnight has 7 successes) .
« Last Edit: <07-30-15/1528:32> by gilga »

adamu

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« Reply #785 on: <07-30-15/1557:31> »
No...something had to be wrong - there was Solo dancing and spouting poetry. Sure, he'd let the she-spirit mount him, but this? They must be controlling him somehow...

Hah!

Just a matter of shaking the cobwebs out.

Al kind of pitied these cartoonish underdweller keebs. They'd picked the wrong Southern boy to try their damned charms on.

He congratulated himself on his iron will and mental purity.

And now that he'd thrown off their dweomer, he felt downright peaceful.

gilga

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« Reply #786 on: <07-30-15/1728:59> »
206?  - IDI development center in Herzliya.

The first kill in a rampage of revenge was Shira, his lover the one that elevated him from being nothing more than a test subject to a citizen of IDI. Who later became his lover who trained him as both a decker and a mage. But she wasn’t who she said she was. The evidence was undeniable - he chased all his professional life over a ghost of a hacker. The one that made their capture possible. They were an happy little awakened family - living off grid hiding from the terrible fate. But this decker IT - she managed to find them and then the nightmares begined. He spent his entire life hunting this IT where in fact she was right in front of him. Unimpressive, plain very sick lady that could barely stand up straight. She was the one that started it all, when all deckers used technology and failed she used magic and disguised it as technology.
There weren’t many decker mages at the time - it had to be her the age was a perfect fit, she was in the same place.

Tom had no regrets when he murdered her, there was not much she could have done, her physical shape was so bad and she was already slowly dying from exposure to some horror bio weapon. As blood was pouring out of her corpse Tom improvised a poem for her.

“To my first lover,
I know you are cruel,
you broke my heart
now who is the fool?

You lied about your age,
Not 24, but 42.
42 and a mage.
Do you now see it through?

Chaos is my lover,
I do not need more prof
you killed my mother
and now you go poof. “


I am sorry Tom... I meant to tell you... but I just couldn’t I knew it would kill you. I tried to make up for it, I was ambitious I wanted to get ahead of my game... Please forgive me, forgive yourself. “


That day, Poetry was born - Tom could only kill people while reciting poetry - somehow if it rhymed it was ok. His terrible vengeance dance was long there were more people to kill and not much time. That incredibly sexy runner that delivered him the envelop started a chain of events that changed his entire life.  He will never be the same person. He spent his whole life trying to overcome the mental scars, suppress the anger, the fear learn how to trust people again. It was all a lie - the only redemption for him was if anyone that ever hurt him is dead.

ScytheKnight

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« Reply #787 on: <07-30-15/1817:28> »
Nitro was glad things where starting to simmer down, between the group at least anyway. Their charges where bickering but that wasn't his problem, he was being paid to protect and transport, not sort out their family feuds.

Then the music started, of all the odd things he'd expected to hear down here, this wasn't one of them, and it was definitely the oddest. It was sweeping and melodic, calm and soothing. Not at all like the frenetic eltromixes he listened to... but it was good, calmed his nerves.

He could see everyone else was calm as well, even with that guy spinning a glave around. Goodnight was was calm and respectful and Solo seemed to be improvising poetry everything was... wrong. It wasn't just the music, there was.. something else, tugging at him, calming him, soothing him entwined with the music making it hard for him to... focus, the music and magic worming around in his head. No, not his head! he's not going to be puppeted around like some headcase!

"get... out... O'... MY... HEAD!"

The flamboyant rigger roars the final word, his armor, hair and eyes flaring brighter as he shatters the spell's hold on him. He raises his shotgun into a ready position, the drone flying up out of easy reach, the ugly muzzle of the M202 leveled at the troupe. There's no sense of hair trigger violence, but it's clear that he's on guard and ready to act if needed.

"Alrigh' ye wanna talk? We'll talk, af'er ye sto' messin'aroun' wi' ou' 'eads."
From To<<Matrix message>>
"Speech"
Thoughts
Astral
Mentor

Kinkerbell

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« Reply #788 on: <07-30-15/1838:47> »
Goodnight doesn't say a word to Nitro as he roars and loses his shit. With a glance at Natasha to make sure she isn't about to fly off the handle, she takes her hand from the girl's shoulder and murmurs, "Don't worry. Everything will be fine." Then she steps in front of Nitro's gun muzzle.

Facing Nitro, Goodnight looks calm and poised and utterly unworried. Her eyes are concerned, but they show neither fear nor any trace of her earlier horror as she meets Nitro stare for stare. Slowly, she shakes her head and mouths, "Please..." At the same time, she sends Nitro a blazingly fast message, keeping the conversation private. At this range, even the interference of the tunnels is no matter, and it only takes a few seconds to get it written and sent.

<<Nitro, no! There's no need for that. Look, we don't know what or who they are, but we know they're armed, fast, and quiet. I can also tell you that several of them are awakened, and they've got at least one decker by the looks of things. That's bad news, and I'll bet those costumes are armored unless they're total idiots. You're cybernetically fast, I know this. You can get your gun into firing position in no time at all, so there is no need to point it at them right now and provoke them. At best, they could be allies that can help us out of here. At worst, they're a team just as competent and well-equipped as we are, in which case fighting them will get a lot of people killed. And may I remind you that Natasha is up front, and Solo, and while you and I are out from under their spell, those two may not be, and thus may not be able to get out of the way of a crossfire? Please, Nitro, just lower the gun a little. For me? Please? I'll make it up to you, I promise.>>

She smiles gently at Nitro and holds his gaze even as her head turns slightly to call out, still in Sperethiel, "We apologize for our companion's conduct. We are afraid his chord is more dissonant than ours or yours, and it has being a trying symphony thus far for us all."

ScytheKnight

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« Reply #789 on: <07-30-15/1859:39> »
His flaming blue eyes watching Goodnight for a couple of long moments, sending an encrypted message back.

Nitro to Goodnight <<I'm a rigger, not a street sam, much of my augments are about improving my piloting skill. So yes my spine is enhanced, but I've not undergone the more extreme treatments. I'm sure you can understand why someone like me hates having their mind messed with right now. Still, this is your turf.>>

Finally he nods, relaxing his stance and lowering the shotgun into a low ready position, the drone also stands down, but stays up out of easy reach. He frowns slightly, obviously thinking hard before he responds again, speaking slowly and carefully, taking the time to form his words properly.

"Those of us whose voices have joined with machines are most weary of the ghost of another joining the song, it can create a powerful discord that replace the music with that of another. If I have disrupted the harmony it is only to ensure my own song is not replaced."

Do a roll to try and smooth things over.

Etiquette 4 + Charisma 3
Etiquette check: 7d6t5 2 hits
Not the best, but no glitch at least and Nitro is a long way from being a face.
From To<<Matrix message>>
"Speech"
Thoughts
Astral
Mentor

adamu

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« Reply #790 on: <07-30-15/1917:31> »
Holy moley - now everyone was talking like a bunch of flower children.

Al had a pretty good mellow on, but he'd be damned if he was going to start yammering in Spock-speak about joining in the mystical rainbow singalong.

He was glad Nitro had also resisted the sorcery, though.

It wouldn't do to have these freaks in their heads.

No matter how peaceful their intentions clearly were.

Jack_Spade

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« Reply #791 on: <07-30-15/1919:31> »
Isaint was silent as he read the - quite extensive - reply. His mask showed an impassive face while a host of different emotions boiled beneath - just to be replaced by a certain serenity.
That explained quite a lot - not everything mind you - but enough.

While he thought he activated his newly purchased app: Theme Music. After the algorithm had accessed all data it could find including the bio-monitor it began to play.
He composed an answer:


<<Thanks for your trust - I won't betray it.

Also your sister has nothing to fear from me if you aren't mistaken - she is still an innocent.
I don't judge you. That is not my job.

We might meet as enemies one day - but only if you try to hurt those under my protection.
For what you feel for your sister is the essence of my patron's being: He is the older brother looking out for his siblings and he is the one who takes a stand.
And so do I, nothing more, nothing less.>>



Just as he had decided to send the message, the clowns appeared. The music changed instantly

Isaint's first reaction was to reach for his handgun, but something like a cobweb descended upon his thoughts. For a few heartbeats he struggled against the intrusion, but the spell was to strong. An eerie artificial calm overcame him and he let his arm sink empty handed. The music changed again.
Clowns, why did it have to be clowns. He really, really didn't like clowns. And now Solo seemed to have lost his marbles. Had he been hit with a different spell?

Then Nitro flew of his handle and his hand automatically went back under his coat, but much slower than normally. He wasn't sure if it was the result of the spell or the shock of hearing Nitro speak in perfectly understandable English.

Just to stop staring at the newcomers he said:
"I am called Isaint. Do you guarantee safe passage for our group? We are not looking for trouble, but being hexed like this does raise certain concerns regarding your intentions. This would do more for our disposition towards you then the false peace you laid upon us."

#108
« Last Edit: <07-30-15/1930:06> by Jack_Spade »
talk think matrix

To strive, to seek, to find and not to yield
Revenant Kynos Isaint Rex

gilga

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« Reply #792 on: <07-31-15/0016:54> »
As SaM dance around, something very odd happens - a crowed appears and the entire team is cloned multiple times. The result is a tightly knit cheering crowd that is composed of multiple versions of each person in the team. Everyone are clapping their hands in excitement crying. Poetry! Poetry! Poetry!. Fake Natasha and Rachel are even throwing fake flowers at SaM.

SaM bows multiple times before the cheering crowd around him. Saying "thanks! I love you all!"

 ."This is kind of an ego boost " thought M.

"I hope it is going to confuse the heck out of them, just in case they want to hurt us... besides it was a tough crowd, Nitro took his gun out and Al... he seemed completely uninterested in Poetry... can't disappoint my inner poet." Thought Solo.



Solo cast trid phantasm F5, and set the limit to 10 with reagents.
Trid phantasem (limit set with reagents): 16d6t5 8
wow good roll Solo!
drain: 15d6t5 4
no drain taken.  (so far just 1 drain from summoning M).
« Last Edit: <07-31-15/0027:28> by gilga »

Aria

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« Reply #793 on: <07-31-15/0751:15> »
[Thursday June 18th, 2076, ~05:58, The Catacombs, London Below, London]

The female called Satire laughs, a musical sound that sends tingles through the group’s collective erogenous zones, but it is the one called Hecate who responds, her strange triple voice soft and lilting, tinged with sadness

“Hex?  You resist our weaves?  Why?  They protect you from the shadows that claw at your minds…” and indeed, for those of the group who have thrown off the effects of her spell the negative emotions seem to have increased significantly and the darkness presses in on the bubble of light projected by these weird clowns

“We have watched you for the last half turn and the effects are only growing stronger…you bicker when you should be still, you arm children when you should be protecting them…?  Does this strike you as how you would normally behave?  The way here is dark and it seeks to turn you to its ends.  We can hold it at bay for a time if you allow us but if you prefer to face the darkness alone then the strands of fate will become twisted and your paths cannot be measured for long.  It is not just your deaths that await you down here, events have been foreseen… The world is always changing but these tides are insidious and the drag the world towards the precipice.  Those of us who would stand against this fate have a duty to uphold, will you step lightly with this burden or let yourselves be dragged down?”

All the while she is speaking illusions dance around the clowns, threads of light and darkness, both magical and technological…

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#33
Excel Cha Generators <<CG5.26>> & <CG6.xx> v36

Kinkerbell

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« Reply #794 on: <07-31-15/0812:47> »
Goodnight's expansive shrug manages to be insolent, nonchalant, and broadly expansive all at , quite a feat for the waifish dryad. "Heronasta od darnasta, pechet imiriso ozidanastet." She says in Sperethiel. We live and we die, except for the memories we leave behind. A phrase she learned from Corby, and she can hear his highborn, aristocratic tones as he says it in her mind. Usually an expression of fatalism, here Goodnight uses it in answer to Hecate's proclamation about the probable end of their lives down here. Goodnight is forced to admit, privately, that Hecate is probably right.

Goodnight gestures around them and says, "Bones in heaps, bones in stacks. Bones neatly sorted by something insane. We know the measure of our chosen stage, and the prowess of our fellow players. We appreciate the offer of support, but this humble thespian must point out that it is the height of rudeness to intrude upon a work without so much as a playbill to warn of the change in actors." Strangely, the dramatic metaphor comes easily to Goodnight, for all that she's never met a magical elven clown before.

And they are elves, Goodnight is sure of that. Lithe and graceful, with musical voices and a strange predilection for mystical doublespeak. And Satire's laugh, nearly a twin to Goodnight's own. The pale shadowrunner is reasonably certain that were she to pull off that diamond domino, she would find a heartstoppingly lovely face, pointed ears, and a shock of bright red hair.

Her tone warming still, equally as beautiful though somewhat less erotic than Satire's, Goodnight continues, "Sometimes an understudy is called before she is ready," Goodnight glances briefly to Natasha, "but in dire need must act all the same and hope that the crowd is merciful and her fellow players keen. Surely you know this. It is not the normal way of things, but the show must, of course, go on." Goodnight bows deeply. "We would welcome your assistance, of course, but we must ask that you not turn our minds with your songs without at least a couplet of warning."

Then she looks past Hecate at Satire and intones, "Se'seterin. Telegit Thelemsa." It is a ritual greeting, a deeply elven greeting, and she is curious whether Satire will respond with the traditional zarien response. She is also curious whether they will recognize the marks on her astral, or the Tir noble's accent she'd learned from Rook, or- goddess help her- the touch of Macha, her goddess mentor...or Rook himself.

 

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