Robyn looks thoughtful for a moment, then nods and says, "OK. How about this. A couple of years ago I did some cover work for a late twentieth century group called The Devine Horsemen. I did it for the P and C, um, Pub and Club, scene and used my Alyce Krait name. I did twenty-two covers and they took this long to pick up some steam. I was rather proud of them as the originals were not done with a cello in mind. I had an acquaintance do the drum work in the background so your idea would work perfectly and I am sure that I can work Iris and anyone else in without any problem. Here, let me bring up one of my favs. Actually, it is doing quite bloody well at the moment. This is a live recording I did at a club in Chelsea just after setting it all down on paper. Oh, and the vocals are me and a bloke I hired for the gig, so do any of you men sing?" Robyn pulls up a triode of a small stage in a crowded club. She and two men walk onto the stage, one headed for a drum set and the other to a mic. She sits down with a cello and they begin "The Tenderest Kiss" to an appreciative crowd. She really gets into the playing and the singing, and her long ponytail sways in time to the music. Those with musical skill will realize that this is quite a difficult piece for a cello and those without musical skill might still appreciate the harmony of the two singers. The song has a good beat and a number of the clubbers are dancing near the stage. She is really passing the bow across the strings and turning out music that is rarely heard from a cello. She is clearly sweating when done with the song, her face wet and her clothes sticking to her. When it is done, she closes the trid and says, "Will that do to give us a cover reason to go Below? Alyce could be looking to take her music there or be looking for new inspiration."